Tuesday 15 April 2014

BRISTOL EMBROIDERS GUILD

"Oh, that's different!" cried the Embroiders Guild members as they arrived to find the room had been changed from their usual meeting format.  "Oh, no, what's going on, we never have the space like this, we always sit in rows and watch a slideshow".  Committee members greet, arriving and settling takes place, and there is pride in placing of books on a table, travel books, that start off being made by one person and then journey to another.  There is quick mutterings and catchings up and then the gathering of a circle, business of the day and an introduction.  Within minutes hands were reaching out to touch the array of cloths, spread over the tables arranged in workshop format.  The textiles were kindly loaned personal collections gathered from around the world by Monica, Chairperson (who it was commented, was not wearing a hand stitched personal identification badge).  The room, inside All Saints Church was a deep rich red.  "A bit like sitting under a bishop's cassock" I  had found myself murmuring out loud, going on to share my background, the trip to northern Italy, an interest in Sibyls, women storytellers, religious icons, identity etc and how I loved exploring sacred and contemplative environs.  I told them about walking the walk of silence, crossing in the tiny boat, the enclosed order of Benedictine Nuns who called us to be mindful of being present in the moment.


I introduce the first collection as my 'family', which included the Straight Face makeover doll full of pins, Ela the Abbess of Lacock Abbey, the bundle of friends, the brush doll from my travels, my wrapped journal and textile books.  I talk about the collection of small things in an old Chinese box, items used to tell 3-d stories in a diorama, and how the giraffe and budgie and pretend Bristol grass was such a huge hit.  Without formal flash cards, script or powerpoint, I randomly gush, happy to be sitting within a circle of women, noticing their rather polite and questioning facial expressions, as they observe my arranged treasure trove, boxes and boxes of collections to create curiosity and mystery, and like an magician I enjoy whipping open contents at the start of each story. I share that I felt a bit of a fraud, as I have never trained in textiles, sewing, crafts and certainly didn't know how to properly stitch.  However, I had, once upon a time, sat quietly at home and explored being rubbish at sewing, entered the result, the stitched cloth storytelling book Dreaming & Stitching, to the RWA, Bristol, and won a prize, the trip to Italy and an exhibition/residency.


So, in a rush of memories, thoughts and associations, a series of textile related items, dolls, books, wrappings, bundles, stories and all were passed around the table. I talk about how on the trip I suffered a tooth abscess and I never to visit an Italian dentist whilst he insists on talking to a buddy on his mobile phone whilst tapping one's molars with a metal implement.  Suddenly I noticed that the lovely lady on my left, was almost crying, I ask, are you OK?  She answers by saying that I apparently was pushing her to the edge. I rather anxiously scan her face for tell tale signs.  She leans closely to her friend, another lovely sprightly lady of 86.  She goes on to say that she had received bad news yesterday, felt really depressed and wasn't sure about coming to the talk.  But, she says, well, you have cheered me up, I didn't know whether to laugh or cry.  With an audible sigh, I plonk myself down and started to chat with the members, sharing practice, ideas, shows, events etc and there is talk inspired by my visiting Somerset House to see the beautiful Boro exhibition of Japanese indigo dyed mended fabrics.  Another member crys "what a coincidence, I have just ordered a book on Boro, it is beautiful work"... Suddenly, Monica, with huge smile on her face, calls for order  to the bubbly exchange and goings on, there is a round of applause and I say how truly privileged I felt to be invited to share their circle.  True sisterhood. It is time for tea, there is an offering of amazing biscuits, and I remember to extend an invitation to make and mend ourselves.  I had prepared a collection of cardboard arms.  I say to the ladies, I wondered what the Bristol Branch of the Embroiders Guild would make of a box of tat?  There is a sudden lunge for the box and in minutes hands are stitching hands and they are arranged as an offering at the end of the evening.
As people start to leave there is a flurry of thank you's, the lady who had stitched a woman into a chair leaves her contact details, there is an invite to be on the local radio station and another Guild member stops to say how much she enjoyed the evening.  "I think you should see a psychiatrist", she said, with beaming smile, I have I reply, this is the result.

Thursday 3 April 2014

Discoveries at the library

CURIOUS NARRATIVES, Artist in Residence, 6-10 May 2014 
Working in situ: 10.00 - 5.00 pm daily
Art/literature installation: 6-17 May 2014
Swindon Literary Festival. 

Swindon Central Library, Regent Circus, Swindon, SN1 1QG
01793 463238

Do you know what you are going to be doing at the library? was a question recently asked.  No, I replied, but I do know that today I have about six proposals to write for other projects/events, but most importantly I need to go to the library to pick up a reference book.  The question started me imagining where I will be invited to place my tiny artist in residence self in the library environs, as part of the Swindon Literary Festival.  I love book arts, and visited Swindon Central Library when I first started researching the Sibyls, before my awarded travel bursary journey to Italy. I was intrigued to find ancient books which gave a mention of these mythological women being the story holders, the keepers of the books, foretellers.  Looking through the art books in the reference section, lucky for me, there were some huge tomes with big pictures.  Not a natural researcher, more a discoverer, I find myself discovering Sara at the upstairs reference information desk. In hushed whispers I enthusiastically share that I had been given the gift of a trip to Northern Italy, and my idea was to visit the Island of Silence and also see if I could find paintings/stories relating to the Sibyls, secular women storytellers, who were depicted by Michangelo in the Sistine Chapel, Rome.  
A book of oracles is found...
What a star, Sara the librarian continue to kindly research and found further information, links, books and papers to support my unearthing process.  I had forgotten how great a resource a library could be, with such interested and supportive staff. E-mails were exchanged with notes of books, insight shared and the kindly ordering books from the British Library felt really special, whilst I wrote back and sent a photograph of my desk, which is always of a image of my thinking in 3-D. The whole exchange made me realise the lonely human experience of sitting on a computer with no one but Google or Wikipedia to assist with unearthing stories, associations, facts, fiction or ignite the imagination.  

In the SILENCE and warmth of the library cathedral like space, I had really enjoyed photocopying the pages of the book, and whilst illuminated by the glowing mechanical light, meet also an Art History Lecturer from a local college, falling into an enthusiastic conversation,then getting a nicely delivered telling off for being too LOUD. 

Later, I was to go back to the Swindon Central Library to meet Leon, Outreach Officer, and it is agreed I will located in the Travel Section. I tell him I have already started to flag up to contacts to drop in and have started to blog. I promise to install a story installation as part of the Swindon Literary Festival and feel excited about ideas around journeys, creatively responding to the library and the offer of using out of date books as part of the project. "A gift", said Leon. I wonder what visitors to the library are going to make of books being altered.  When once more back home at my desk, I am inspired to immediately transform pages from found old books, Master's paintings, and why not, only copyright to worry about. 

Tuesday 1 April 2014

Time in Nature

I am looking to explore drawing from elements of time in nature.  I need to re-connect with my body.  I am in a right FUG after a very successful show at RWA Bristol, a time of expansion, interaction, generosity of exchange, then you come back home, again, re-fold everything into oneself, and there is a rather full interior, full of people's (positive) viewpoints. Then you find yourself all on your own, again with your own (negative) thoughts. Then you consider, what was that all about? Fabulous, yes, but the next stage of taking things forward is eeeeeky, uncertain stage.  I usually creative out of focussed direct response, playful madness, intuition, fun and direct engagement. Now I have an inside audience pinned to my thoughts.  Double eek.  I have got to take them to the river and wash away. Decided instead to unearth a box of old once upon a time given to me dollies.  Enjoy giving not-much-to-laugh-about-doll, a change of identity, inspired by a memory of a now lost photograph of me at Holy Communion wearing a crooked veil and looking scared.  I send a pic to Julie, after she mentioned about the work of artist Tabitha Kyoko Moses who took x-rays of dolls.  I enquire if there was room for straight face girl, a place of work, whether her Health Service colleague could X-Ray, could make an interesting series for a book I thought.

"Always room for Bride of C", she said.
Then I thought,what about keeping your own books in order; your Arts Council accounts, plans, venues, bookings, sales, organisational worry….Decided to brave up and actually look through my Arts Council bid to see what I said I would do, which makes me hyperventilate to read, and there it is Bristol Embroiders Guild, Swindon Library & Festival of Literature, Richard Jefferies Museum, Fox Talbot/Lacock stuff.  OMG, there it is, I had suggested too an idea to explore a journey to Coleshill.  Indeed, I had so enjoyed a time in Coleshill NT village many years ago, where I installed myself in their tiny cafe, the table brimmingly full of stuff, the interesting conversations with visitors, walks here and there, children's storytelling workshop with Hilds, and meeting Alex, who said I should create a circle on a map and go round talking to people about my work.  Looked up her lovely work, working in nature, prints, books, bundles, origami/organic forms.  Going to book on one of her workshops Bundles & Books.  Wondered if there would be an opportunity to visit Coleshill, share practice, thoughts, uncertainties, perhaps explore make connections, muse and mutter process over a cup of tea?  

A dream of a warm place in nature, in which to wrap, rest and write....

This visiting business to find environs in which to place oneself is an interesting process.  I had been to Lacock House to research as a future potential venue for Curious Narratives. I subsequently went back again at the weekend for a look around with Julie.  We loved the the now no longer opened village shop, once owned by Peggy Butler, her window still forever full of Carter's remedies for health.  We enjoyed the trail through the gardens, photographic museum and abbey, then wishing we had found time for a cup of tea, had our ticket clipped and went wandered from cloisters into Fox Talbot's house.  We peered into a posh cabinet and saw a tiny doll with knitted dress, on a crocheted blanket with a hot water bottle that she could never reach.  Aaaagh, she needs a makeover and some warmth. Previously, at the business meeting with Rachael, visitor experience manager at Lacock Abbey, there was her observation that my own house would be full of collections "I bet your house is a complete treasure trove" she had said.  So, now, deciding to let go of planning, walk away from the desk and off to discover a dolly open to a new look, make a cleansing bathing pool with Sophie's cup, add some herbs, give her a transformation, and make her a new home, a travelling emporium for her. A space in nature for her to heal.